By Murtaza Ali Khan (@apotofvestiges)
Featured in IMDb Critic Reviews
Raman Raghav 2.0 (2016) - By Anurag Kashyap
Raman
Raghav 2.0 is a 2016 crime thriller film directed by Anurag Kashyap inspired by
the notorious serial killer Raman Raghav who operated in Bombay (now Mumbai) during the
mid-1960s. The movie, however, is not about the serial killer as made obvious during the opening credits. Co-written by Vasan Bala and Anurag Kashyap, Raman Raghav 2.0 stars
Nawazuddin Siddiqui and Vicky Kaushal in the lead roles. The film premiered at
the 2016 Cannes Directors' Fortnight.
Nawazuddin Siddiqui as Ramanna in Anurag Kashyap's Raman Raghav 2.0
Our Rating: 5.5
IMDb Ratings: 7.9
Genre: Crime | Drama | Thriller
Cast: Nawazuddin Siddiqui, Vicky Kaushal, Sobhita Dhulipala
Country: India
Language: Hindi
Raman
Raghav 2.0 proves to be an exercise in self indulgence on the part of Anurag Kashyap. The movie is all style and little substance that doesn't
live up to the hype created by the movie’s trailer released online a few months
back. It makes an average film like Ugly look like a masterpiece. Alas, Anurag Kashyap
seems to be going his one-time mentor Ram Gopal Varma's way! With each film he
appears more lost as a filmmaker. If he himself is not clear about what he
wants to show, how can he expect his audience to decipher it?
Amidst
the din it is Nawazuddin Siddiqui's bewitching performance of a psychopathic
serial killer that barely makes it watchable. Finally Indian cinema has its
very own Boogeyman who kills for sheer pleasure. Given his remarkable range,
Siddiqui is quite easily the best actor working in Hindi cinema.
While
Vicky Kaushal does show flashes of brilliance as a corrupt cop à la Denzel
Washington of Training Day or Nicolas Cage of Bad Lieutenant, he
ultimately fails to match Siddiqui's sublime brilliance. Too much time gets
wasted on Kaushal's cop character when all one wants to see is Siddiqui's serial killer.
Raman
Raghav 2.0 revolves around a serial killer, Ramanna, and a cop, Raghavan, who have so much in common
that it is difficult to separate the two. The movie is presented in form of chapters
much like the films made by the renowned American filmmaker Quentin Tarantino. But,
unlike films of Tarantino, Raman Raghav 2.0 is rather low on entertainment
quotient. Style over substance doesn’t necessarily mean a bad thing but here
the style is so loud that it leaves a bad taste in the mouth.
A Still from Anurag Kashyap's Raman Raghav 2.0
Anurag Kashyap yet again fails to let go off his fixation for portraying the dark side of human psyche. And, yet again, there is little scope for plot and character development -- something that has even missing in his films ever since Gangs of Wasseypur.
A Still from Anurag Kashyap's Raman Raghav 2.0
Overall,
Raman Raghav 2.0 fails to live up to its pre-release hype. The movie is self-indulgent,
dark, and purposeless for the most part. It is rife with disturbing scenes that
offer little cinematic value. In an attempt to draw a parallel between a cop
and a criminal, the movie spends a considerable amount of time on the cop
character, but with little rewards. Nawazuddin Siddiqui, Vicky Kaushal, and the newcomer Sobhita Dhulipala (who looks stunning as the femme fatale-esque Simmy) deliver memorable
performances and in that order. Beyond these performances, the movie has little
to offer. The only way to
enjoy Raman Raghav 2.0 is to watch it with little or no expectation.
By Murtaza Ali Khan (@apotofvestiges)
Featured in IMDb Critic Reviews
Raman Raghav 2.0 (2016) - By Anurag Kashyap |
Raman Raghav 2.0 is a 2016 crime thriller film directed by Anurag Kashyap inspired by the notorious serial killer Raman Raghav who operated in Bombay (now Mumbai) during the mid-1960s. The movie, however, is not about the serial killer as made obvious during the opening credits. Co-written by Vasan Bala and Anurag Kashyap, Raman Raghav 2.0 stars Nawazuddin Siddiqui and Vicky Kaushal in the lead roles. The film premiered at the 2016 Cannes Directors' Fortnight.
Nawazuddin Siddiqui as Ramanna in Anurag Kashyap's Raman Raghav 2.0 |
Our Rating: 5.5
IMDb Ratings: 7.9
Genre: Crime | Drama | Thriller
Cast: Nawazuddin Siddiqui, Vicky Kaushal, Sobhita Dhulipala
Country: India
Language: Hindi
Raman
Raghav 2.0 proves to be an exercise in self indulgence on the part of Anurag Kashyap. The movie is all style and little substance that doesn't
live up to the hype created by the movie’s trailer released online a few months
back. It makes an average film like Ugly look like a masterpiece. Alas, Anurag Kashyap
seems to be going his one-time mentor Ram Gopal Varma's way! With each film he
appears more lost as a filmmaker. If he himself is not clear about what he
wants to show, how can he expect his audience to decipher it?
Amidst
the din it is Nawazuddin Siddiqui's bewitching performance of a psychopathic
serial killer that barely makes it watchable. Finally Indian cinema has its
very own Boogeyman who kills for sheer pleasure. Given his remarkable range,
Siddiqui is quite easily the best actor working in Hindi cinema.
While
Vicky Kaushal does show flashes of brilliance as a corrupt cop à la Denzel
Washington of Training Day or Nicolas Cage of Bad Lieutenant, he
ultimately fails to match Siddiqui's sublime brilliance. Too much time gets
wasted on Kaushal's cop character when all one wants to see is Siddiqui's serial killer.
Raman
Raghav 2.0 revolves around a serial killer, Ramanna, and a cop, Raghavan, who have so much in common
that it is difficult to separate the two. The movie is presented in form of chapters
much like the films made by the renowned American filmmaker Quentin Tarantino. But,
unlike films of Tarantino, Raman Raghav 2.0 is rather low on entertainment
quotient. Style over substance doesn’t necessarily mean a bad thing but here
the style is so loud that it leaves a bad taste in the mouth.
A Still from Anurag Kashyap's Raman Raghav 2.0 |
A Still from Anurag Kashyap's Raman Raghav 2.0 |
Overall,
Raman Raghav 2.0 fails to live up to its pre-release hype. The movie is self-indulgent,
dark, and purposeless for the most part. It is rife with disturbing scenes that
offer little cinematic value. In an attempt to draw a parallel between a cop
and a criminal, the movie spends a considerable amount of time on the cop
character, but with little rewards. Nawazuddin Siddiqui, Vicky Kaushal, and the newcomer Sobhita Dhulipala (who looks stunning as the femme fatale-esque Simmy) deliver memorable
performances and in that order. Beyond these performances, the movie has little
to offer. The only way to
enjoy Raman Raghav 2.0 is to watch it with little or no expectation.