A Potpourri of Vestiges Review
By Murtaza Ali Khan
Ali Fazal in a still from Mirzapur 2 |
There is something about the long-form storytelling that makes it highly addictive and ever reliable. But, for it to work well, the most important ingredient, perhaps even more important than the story itself, are characters. That’s precisely where the charm of the long-form storytelling comes into play. We are talking about an entire gamut of interesting characters fully capable of being developed further and further, as and when required, episode after episode, season after season. Therefore, one or two good characters aren’t enough. To understand this better let’s look at the first season of Mirzapur which introduced a bunch of fascinating characters viz. Kaleen Bhaiya, Guddu Pandit, Munna Tripathi, Bablu Pandit, Beena Tripathi, Parshuram Gupta, Ramakant Pandit, Rati Shankar Shukla, and Sweety Gupta, Maqbool Khan, Golu Gupta, and Lala, among others. Out of these, Bablu, Rati Shankar, and Sweety couldn’t make it past the first season. All of them appeared to be important characters but the makers used their sudden deaths as a clever plot device to deliver high shock value, not unlike Game of Thrones. It paved the way for the perfect cliffhanger ending.
Now, the creators Karan Anshuman and Puneet Krishna could afford to take the chance because they already had an array of colorful characters to begin with. Also, they were well aware that they could always introduce new characters or promote a secondary character to the lead in the subsequent seasons. Of course, this is all elementary stuff but unless the basics are sorted it’s very difficult to get a hold over the narrative. Fortunately, Karan and Puneet have been up to the task. As a result, Mirzapur 2 serves as a far better example of long-form storytelling than the first season. While the first season merely served as a pastiche of sorts of the filmmaking style of Anurag Kashyap, the second season is far more mature and cerebral at various levels—albeit misunderstood. Ironically, as a result, the set of audiences that loved Mirzapur is actually cribbing about Mirzapur 2. And, those viewers who didn't like the first season much are actually appreciating the thought and maturity that has gone into making the second season.
Apparently, India is still quite new when it comes to multi-season series that can keep the viewers engaged one year after the other. Even a vast majority of viewers aren't mature enough. As a result there is a very high probability that will fail to appreciate the complexities of long-form storytelling for the most part. For example, a lot of the diehard fans of Mirzapur are complaining about new subplots and characters that have been introduced in the second season. But, after a point, it becomes almost mandatory to spread open the narrative. The manner in which the first season ended it was essential to add new characters and subplots. The long-form demands this. In fact, that’s precisely what made the likes of Breaking Bad and Game of Thrones so compelling, season after season. Also, the tonal shifts are just as important. Not every episode can deliver the thrills of ‘The Red Wedding’ or ‘Battle of the Bastards’.
Now, Divyendu Sharma’s Munna Tripathi was easily the best part of Mirzapur and while Munna remains the most colorful character in Mirzapur 2 as well, it is Ali Fazal’s Guddu Pandit that impresses the most. Guddu was a flamboyant character in the first season but given how badly things end for him in the season finale, the character was expected to undergo a major transformation. And Fazal is up to the challenge. The body language and intensity, coupled with pain and longing in the eyes, are just right for this new Guddu whose only aim in life is now to avenge the deaths of his wife and brother. Fazal shares interesting chemistry with Shweta Tripathi (who essays the part of his late wife Sweety’s sister Golu) and Shernavaz Jijina (who essays the part of Lala’s daughter Shabnam). As for Divyendu Sharma, he gets to share some intimate moments with Isha Talwar who essays the part of CM Surya Pratap's widowed daughter Madhuri—the character is a great introduction to the Mirzapur universe. Has Munna finally met his match?
Mirzapur 2 also introduces us
to Dadda Tyagi (played by Lilliput) who holds the key to illegal trade in the
state of Bihar (yes, the plot is also expanding geographically). Vijay Varma
essays the parts of his twin sons Bharat and Shatrughan. These three characters
have some key interactions with Munna, Guddu, and Golu. A post-credits scene in
Mirzapur 2 also opens up exciting
possibilities. A minor character from the first season that takes a center
stage in Mirzapur 2 is Sharad Shukla
(portrayed by Anjum Sharma). Throughout the season, he keeps shifting his
loyalties, sometimes working for the Tripathis, and, at other times, working
against them. Surprisingly, it’s Pankaj Tripathi who proves to be a major
disappointment this season. He just appears to be going through the motions.
Thankfully, Kulbhushan Kharbanda, playing the part of his crippled father,
comes to the rescue. Every time the veteran actor is on the screen the show
attains a different level of brilliance.
A version of this article was first published in The Daily Guardian.
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