A Potpourri of Vestiges Feature
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| A still from Kicking Blood |
The
Toronto International Film Festival (TIFF) is set to be back in all its glory
this year, well almost. The 46th edition of the festival, scheduled to be held from September 9
to 18, 2021 will again be held in a hybrid form with both physical and digital
screenings due to the ongoing pandemic. The lineup includes over 100 films,
which means that it is a smaller slate than the pre-pandemic TIFFs. But it’s
significantly better than last year’s lineup when only 50 films were screened. The
opening film this year would be Stephen Chbosky’s ‘Dear Evan Hansen’—an
adaptation of Benj Pasek & Justin Paul's 2015 stage musical of the same
name. The film will have its world premiere at the 2021 TIFF on September 9,
2021 as its Opening Night Gala Presentation. The festival’s closing film will
be the legendary Chinese filmmaker Zhang Yimou’s ‘One Second,’ the director of
films like ‘Raise the Red Lantern,’ ‘Hero,’ ‘House of Flying Daggers,’ and ‘Shadow,’
who returns with the story of a man escaping a labour camp to catch a glimpse
of his beloved daughter who has been captured briefly on a newsreel. Denis
Villeneuve’s ‘Dune’, Asghar Farhadi’s ‘A Hero’, and Apichatpong Weerasethakul’s
‘Memoria’ in the ‘Special Events’ segment are among the festival’s biggest
crowd pullers. But the festival has so much more to offer. So, without much
ado, let’s take a look at some of the other major attractions this year.
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| A still from One Second |
Gala presentations
This year at TIFF, everyone will have their eyes on Kenneth Branagh
whose most personal film till date ‘Belfast’ will be screened as part of the Gala
presentations this year. The Academy Award–nominated British writer, director,
and actor will join the festival as part of ‘In Conversation With...’ series to
discuss his journey, the charm of adapting Shakespeare's plays for the big
screen; and the story behind the making of ‘Belfast’. Walt Becker’s ‘Clifford
the Big Red Dog’ will also have its world premiere as part of the Gala
presentations. The segment will also screen Will Sharpe’s ‘The Electrical Life
of Louis Wain’ (Canadian Premiere), Alison Klayman’s ‘Jagged’ (World Premiere),
Edgar Wright’s highly anticipated film ‘Last Night in Soho’ (North American
Premiere), Mélanie Laurent’s ‘The Mad Women’s Ball’ (World Premiere), and Barry
Levinson’s post-World War II saga ‘The Survivor’ (World Premiere), which stars
Ben Foster in the role of a boxer—haunted by the memories and his guilt, having
fought fellow prisoners in the concentration camps to survive—who attempts to
use high-profile fights against boxing legends like Rocky Marciano as a way to
find his first love again.
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| A still from Benediction |
Special Presentations
A major attraction of this segment is English filmmaker Terence Davies’
‘Benediction’ (World Premiere), which explores the turbulent life of First
World War poet, Siegfried Sassoon—a complex man who survived the horrors of
fighting in World War I and was decorated for his bravery but who became a
vocal critic of the government’s continuation of the war when he returned from
service. Sassoon’s poetry was inspired by his experiences on the Western Front
and he became one of the leading war poets of the era. Another important film
to look out for in this segment is Michael McGowan’s ‘All My Puny Seasons’ (World
Premiere) starring Alison Pill and Sarah Gadon. Based on Miriam Toews’ internationally
acclaimed bestselling novel of the same name, the film follows the story of two
loving sisters: one a gifted pianist (essayed by Gadon) obsessed with ending
her life, the other a struggling writer (portrayed by Pill) who, in wrestling
with this decision, makes profound discoveries about herself. The segment will
also screen Mia Hansen-Løve’s ‘Bergman Island’ (International Premiere), Eric
Warin and Tahir Rana’s ‘Charlotte’ (World Premiere), Michael Pearce’s
‘Encounter’ (International Premiere), Ryusuke Hamaguchi’s ‘Drive My Car’ (North
American Premiere), Bent Hamer’s ‘The Middle Man’ (World Premiere), Theodore
Melfi’s ‘The Starling’ (World Premiere), Antoine Fuqua’s ‘The Guilty’ (World
Premiere), and Joachim Trier’s ‘The Worst Person In The World’ (North American
Premiere), among others.
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| A still from Maria Chapdelaine |
Contemporary World Cinema
Finnish filmmaker Juho Kuosmanen’s ‘Compartment No. 6’ which won the
Grand Prix at the 2021 Cannes Film Festival is a major attraction of this
segment. The film follows a young Finnish woman who escapes an enigmatic love
affair in Moscow by boarding a train to the arctic port of Murmansk. Some other
films to watch out for in this segment include Sébastien Pilote’s ‘Maria
Chapdelaine’, Alexandre Moratto’s ‘7 Prisoners’, Mounia Aki’s ‘Costa Brava,
Lebanon’, Manuel Martín Cuenca’s ‘The Daughter’, Clint Bentley’s ‘Jockey’, Juanjo
Giménez’ ‘Out of Sync’, Kira Kovalenko’s ‘Unclenching the Fists’,e Steve Pink’s ‘The Wheel’, and Blaine Thurier’s
‘Kicking Blood’—an ultra-modern spin on the vampire genre which evokes
cult-horror figures like George A. Romero and Stuart Gordon.
Miscellaneous Titles
Arsalan Amiri’s ‘Zalava’, set in 1978, follows the inhabitants of a
small village in Iran called Zalava who claim there is a demon among them. The
film is a part of the ‘Midnight Madness’ segment which also features Kate Dolan’s
‘You Are Not My Mother’. Ivan Grbovic’s ‘Drunken Birds’ is another interesting
film to watch out for along with Darin J. Sallam’s ‘Farha’, Javier Andrade’s
‘Lo Invisible’, and Haya Waseem’s brilliant film ‘Quickening’, starring Arooj
Azeem, Ashir Azeem, and Bushra Ashir Azeem, which explores the life of a young
woman of colour navigating love, heartbreak, and family turmoil.
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| A still from The Devil's Drivers |
Mohammed Abugeth and Daniel Carsenty’s documentary film ‘The Devil's
Drivers’ (World Premiere) presents an intimate and harrowing portrait of a
group of smugglers risking everything on high-speed trips to help Palestinians
workers cross the border into Israel every day for work. Stefan Forbes’ ‘Hold
Your Fire’ takes us to the beginning the longest hostage siege in NYPD history
when four young African-American men stealing guns for self-defense in Brooklyn
were cornered by the NYPD in the year 1973. The documentary uncovers what
really happened in this landmark event which has the potential to revolutionize
American policing. Gian Cassini’s captivating documentary ‘Comala’ follows
director on his personal journey in search for his absent father, discovering
the ghosts of Mexico’s failed war on drugs along the way.
Agustina San Martín’s ‘To Kill the Beast’ follows the 17 year old Emilia
who arrives in a religious town on the border between Argentina and Brazil,
looking for her long-lost brother. She stays in the jungle at her aunt’s hostel
where, according to rumors, a dangerous beast appeared a week ago. This beast,
people claim, is the spirit of an evil man that takes the shape of different
animals.
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| A still from To Kill a Beast |
Created and executive produced by Halaifonua Finau and Tom Hern, The
Panthers, one of only four series to be show in the TIFF Primetime Program, follows
Will ‘Ilolahia, who along with a group of young street gangsters and university
students, form The Polynesian Panthers (which celebrated their 50th anniversary
this year) in the 1970s.
TIFF 2021also has a segment tiled ‘Shot Cuts’ dedicated to short films.
Also, ‘TIFF Rewind’ will screen classics like ‘The Training Day’ and ‘Eastern
Promises’. Zacharias Kunuk’s ‘Atanarjuat: The Fast Runner’ will be screened as
part of ‘TIFF Cinemathèque’. And, just like last year, the ‘Industry Selects’
program will screen films only for industry professionals, acting as a film
market owing to the continued COVID-19 pandemic which has severely impacted the
ability of filmmakers and critics to travel to international film festivals.
A version of this article was first published in The Daily Guardian.
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